ARKCODEX
Act III, Scene 2
1The forest.
2Enter Orlando, with a paper.
3OrlandoHang there, my verse, in witness of my love:
And thou, thrice-crowned queen of night, survey
With thy chaste eye, from thy pale sphere above,
Thy huntress’ name that my full life doth sway.
O Rosalind! these trees shall be my books
And in their barks my thoughts I’ll character;
That every eye which in this forest looks
Shall see thy virtue witness’d every where.
Run, run, Orlando; carve on every tree
The fair, the chaste and unexpressive she. Exit.
4Enter Corin and Touchstone.
5CorinAnd how like you this shepherd’s life, Master Touchstone?
6TouchstoneTruly, shepherd, in respect of itself, it is a good life, but in respect that it is a shepherd’s life, it is naught. In respect that it is solitary, I like it very well; but in respect that it is private, it is a very vile life. Now, in respect it is in the fields, it pleaseth me well; but in respect it is not in the court, it is tedious. As is it a spare life, look you, it fits my humour well; but as there is no more plenty in it, it goes much against my stomach. Hast any philosophy in thee, shepherd?
7CorinNo more but that I know the more one sickens the worse at ease he is; and that he that wants money, means and content is without three good friends; that the property of rain is to wet and fire to burn; that good pasture makes fat sheep, and that a great cause of the night is lack of the sun; that he that hath learned no wit by nature nor art may complain of good breeding or comes of a very dull kindred.
8TouchstoneSuch a one is a natural philosopher. Wast ever in court, shepherd?
9CorinNo, truly.
10TouchstoneThen thou art damned.
11CorinNay, I hope.
12TouchstoneTruly, thou art damned like an ill-roasted egg, all on one side.
13CorinFor not being at court? Your reason.
14TouchstoneWhy, if thou never wast at court, thou never sawest good manners; if thou never sawest good manners, then thy manners must be wicked; and wickedness is sin, and sin is damnation. Thou art in a parlous state, shepherd.
15CorinNot a whit, Touchstone: those that are good manners at the court are as ridiculous in the country as the behavior of the country is most mockable at the court. You told me you salute not at the court, but you kiss your hands: that courtesy would be uncleanly, if courtiers were shepherds.
16TouchstoneInstance, briefly; come, instance.
17CorinWhy, we are still handling our ewes, and their fells, you know, are greasy.
18TouchstoneWhy, do not your courtier’s hands sweat? and is not the grease of a mutton as wholesome as the sweat of a man? Shallow, shallow. A better instance, I say; come.
19CorinBesides, our hands are hard.
20TouchstoneYour lips will feel them the sooner. Shallow again. A more sounder instance, come.
21CorinAnd they are often tarred over with the surgery of our sheep: and would you have us kiss tar? The courtier’s hands are perfumed with civet.
22TouchstoneMost shallow man! thou worms-meat, in respect of a good piece of flesh indeed! Learn of the wise, and perpend: civet is of a baser birth than tar, the very uncleanly flux of a cat. Mend the instance, shepherd.
23CorinYou have too courtly a wit for me: I’ll rest.
24TouchstoneWilt thou rest damned? God help thee, shallow man! God make incision in thee! thou art raw.
25CorinSir, I am a true labourer: I earn that I eat, get that I wear, owe no man hate, envy no man’s happiness, glad of other men’s good, content with my harm, and the greatest of my pride is to see my ewes graze and my lambs suck.
26TouchstoneThat is another simple sin in you, to bring the ewes and the rams together and to offer to get your living by the copulation of cattle; to be bawd to a bell-wether, and to betray a she-lamb of a twelvemonth to a crooked-pated, old, cuckoldly ram, out of all reasonable match. If thou beest not damned for this, the devil himself will have no shepherds; I cannot see else how thou shouldst ’scape.
27CorinHere comes young Master Ganymede, my new mistress’s brother.
28Enter Rosalind, with a paper, reading.
29RosalindFrom the east to western Ind,
No jewel is like Rosalind.
Her worth, being mounted on the wind,
Through all the world bears Rosalind.
All the pictures fairest lined
Are but black to Rosalind.
Let no fair be kept in mind
But the fair of Rosalind.
30TouchstoneI’ll rhyme you so eight years together, dinners and suppers and sleeping-hours excepted: it is the right butter-women’s rank to market.
31RosalindOut, fool!
32TouchstoneFor a taste:
If a hart do lack a hind,
This is the very false gallop of verses: why do you infect yourself with them?
Let him seek out Rosalind.
If the cat will after kind,
So be sure will Rosalind.
Winter garments must be lined,
So must slender Rosalind.
They that reap must sheaf and bind;
Then to cart with Rosalind.
Sweetest nut hath sourest rind,
Such a nut is Rosalind.
He that sweetest rose will find
Must find love’s prick and Rosalind.
33RosalindPeace, you dull fool! I found them on a tree.
34TouchstoneTruly, the tree yields bad fruit.
35RosalindI’ll graff it with you, and then I shall graff it with a medlar: then it will be the earliest fruit i’ the country; for you’ll be rotten ere you be half ripe, and that’s the right virtue of the medlar.
36TouchstoneYou have said; but whether wisely or no, let the forest judge.
37Enter Celia, with a writing.
38RosalindPeace! Here comes my sister, reading: stand aside.
39CeliaReads.
Why should this a desert be?
For it is unpeopled? No:
Tongues I’ll hang on every tree,
That shall civil sayings show:
Some, how brief the life of man
Runs his erring pilgrimage,
That the stretching of a span
Buckles in his sum of age;
Some, of violated vows
’Twixt the souls of friend and friend:
But upon the fairest boughs,
Or at every sentence end,
Will I Rosalinda write,
Teaching all that read to know
The quintessence of every sprite
Heaven would in little show.
Therefore Heaven Nature charged
That one body should be fill’d
With all graces wide-enlarged:
Nature presently distill’d
Helen’s cheek, but not her heart,
Cleopatra’s majesty,
Atalanta’s better part,
Sad Lucretia’s modesty.
Thus Rosalind of many parts
By heavenly synod was devised,
Of many faces, eyes and hearts,
To have the touches dearest prized.
Heaven would that she these gifts should have,
And I to live and die her slave.
40RosalindO most gentle pulpiter! what tedious homily of love have you wearied your parishioners withal, and never cried “Have patience, good people!”
41CeliaHow now! back, friends! Shepherd, go off a little. Go with him, sirrah.
42TouchstoneCome, shepherd, let us make an honourable retreat; though not with bag and baggage, yet with scrip and scrippage. Exeunt Corin and Touchstone.
43CeliaDidst thou hear these verses?
44RosalindO, yes, I heard them all, and more too; for some of them had in them more feet than the verses would bear.
45CeliaThat’s no matter: the feet might bear the verses.
46RosalindAy, but the feet were lame and could not bear themselves without the verse and therefore stood lamely in the verse.
47CeliaBut didst thou hear without wondering how thy name should be hanged and carved upon these trees?
48RosalindI was seven of the nine days out of the wonder before you came; for look here what I found on a palm-tree. I was never so be-rhymed since Pythagoras’ time, that I was an Irish rat, which I can hardly remember.
49CeliaTrow you who hath done this?
50RosalindIs it a man?
51CeliaAnd a chain, that you once wore, about his neck. Change you colour?
52RosalindI prithee, who?
53CeliaO Lord, Lord! it is a hard matter for friends to meet; but mountains may be removed with earthquakes and so encounter.
54RosalindNay, but who is it?
55CeliaIs it possible?
56RosalindNay, I prithee now with most petitionary vehemence, tell me who it is.
57CeliaO wonderful, wonderful, and most wonderful wonderful! and yet again wonderful, and after that, out of all hooping!
58RosalindGood my complexion! dost thou think, though I am caparisoned like a man, I have a doublet and hose in my disposition? One inch of delay more is a South-sea of discovery; I prithee, tell me who is it quickly, and speak apace. I would thou couldst stammer, that thou mightst pour this concealed man out of thy mouth, as wine comes out of a narrow-mouthed bottle, either too much at once, or none at all. I prithee, take the cork out of thy mouth that may drink thy tidings.
59CeliaSo you may put a man in your belly.
60RosalindIs he of God’s making? What manner of man? Is his head worth a hat, or his chin worth a beard?
61CeliaNay, he hath but a little beard.
62RosalindWhy, God will send more, if the man will be thankful: let me stay the growth of his beard, if thou delay me not the knowledge of his chin.
63CeliaIt is young Orlando, that tripped up the wrestler’s heels and your heart both in an instant.
64RosalindNay, but the devil take mocking: speak, sad brow and true maid.
65CeliaI’ faith, coz, ’tis he.
66RosalindOrlando?
67CeliaOrlando.
68RosalindAlas the day! what shall I do with my doublet and hose? What did he when thou sawest him? What said he? How looked he? Wherein went he? What makes him here? Did he ask for me? Where remains he? How parted he with thee? and when shalt thou see him again? Answer me in one word.
69CeliaYou must borrow me Gargantua’s mouth first: ’tis a word too great for any mouth of this age’s size. To say ay and no to these particulars is more than to answer in a catechism.
70RosalindBut doth he know that I am in this forest and in man’s apparel? Looks he as freshly as he did the day he wrestled?
71CeliaIt is as easy to count atomies as to resolve the propositions of a lover; but take a taste of my finding him, and relish it with good observance. I found him under a tree, like a dropped acorn.
72RosalindIt may well be called Jove’s tree, when it drops forth such fruit.
73CeliaGive me audience, good madam.
74RosalindProceed.
75CeliaThere lay he, stretched along, like a wounded knight.
76RosalindThough it be pity to see such a sight, it well becomes the ground.
77CeliaCry “holla” to thy tongue, I prithee; it curvets unseasonably. He was furnished like a hunter.
78RosalindO, ominous! he comes to kill my heart.
79CeliaI would sing my song without a burden: thou bringest me out of tune.
80RosalindDo you not know I am a woman? when I think, I must speak. Sweet, say on.
81CeliaYou bring me out. Soft! comes he not here?
82Enter Orlando and Jaques.
83Rosalind’Tis he: slink by, and note him.
84JaquesI thank you for your company; but, good faith, I had as lief have been myself alone.
85OrlandoAnd so had I; but yet, for fashion sake, I thank you too for your society.
86JaquesGod be wi’ you: let’s meet as little as we can.
87OrlandoI do desire we may be better strangers.
88JaquesI pray you, mar no more trees with writing love-songs in their barks.
89OrlandoI pray you, mar no more of my verses with reading them ill-favouredly.
90JaquesRosalind is your love’s name?
91OrlandoYes, just.
92JaquesI do not like her name.
93OrlandoThere was no thought of pleasing you when she was christened.
94JaquesWhat stature is she of?
95OrlandoJust as high as my heart.
96JaquesYou are full of pretty answers. Have you not been acquainted with goldsmiths’ wives, and conned them out of rings?
97OrlandoNot so; but I answer you right painted cloth, from whence you have studied your questions.
98JaquesYou have a nimble wit: I think ’twas made of Atalanta’s heels. Will you sit down with me? and we two will rail against our mistress the world and all our misery.
99OrlandoI will chide no breather in the world but myself, against whom I know most faults.
100JaquesThe worst fault you have is to be in love.
101Orlando’Tis a fault I will not change for your best virtue. I am weary of you.
102JaquesBy my troth, I was seeking for a fool when I found you.
103OrlandoHe is drowned in the brook: look but in, and you shall see him.
104JaquesThere I shall see mine own figure.
105OrlandoWhich I take to be either a fool or a cipher.
106JaquesI’ll tarry no longer with you: farewell, good Signior Love.
107OrlandoI am glad of your departure: adieu, good Monsieur Melancholy. Exit Jaques.
108RosalindAside to Celia. I will speak to him, like a saucy lackey and under that habit play the knave with him. Do you hear, forester?
109OrlandoVery well: what would you?
110RosalindI pray you, what is’t o’clock?
111OrlandoYou should ask me what time o’ day: there’s no clock in the forest.
112RosalindThen there is no true lover in the forest; else sighing every minute and groaning every hour would detect the lazy foot of Time as well as a clock.
113OrlandoAnd why not the swift foot of Time? had not that been as proper?
114RosalindBy no means, sir: Time travels in divers paces with divers persons. I’ll tell you who Time ambles withal, who Time trots withal, who Time gallops withal and who he stands still withal.
115OrlandoI prithee, who doth he trot withal?
116RosalindMarry, he trots hard with a young maid between the contract of her marriage and the day it is solemnized: if the interim be but a sennight, Time’s pace is so hard that it seems the length of seven year.
117OrlandoWho ambles Time withal?
118RosalindWith a priest that lacks Latin and a rich man that hath not the gout, for the one sleeps easily because he cannot study, and the other lives merrily because he feels no pain, the one lacking the burden of lean and wasteful learning, the other knowing no burden of heavy tedious penury; these Time ambles withal.
119OrlandoWho doth he gallop withal?
120RosalindWith a thief to the gallows, for though he go as softly as foot can fall, he thinks himself too soon there.
121OrlandoWho stays it still withal?
122RosalindWith lawyers in the vacation, for they sleep between term and term and then they perceive not how Time moves.
123OrlandoWhere dwell you, pretty youth?
124RosalindWith this shepherdess, my sister; here in the skirts of the forest, like fringe upon a petticoat.
125OrlandoAre you native of this place?
126RosalindAs the cony that you see dwell where she is kindled.
127OrlandoYour accent is something finer than you could purchase in so removed a dwelling.
128RosalindI have been told so of many: but indeed an old religious uncle of mine taught me to speak, who was in his youth an inland man; one that knew courtship too well, for there he fell in love. I have heard him read many lectures against it, and I thank God I am not a woman, to be touched with so many giddy offences as he hath generally taxed their whole sex withal.
129OrlandoCan you remember any of the principal evils that he laid to the charge of women?
130RosalindThere were none principal; they were all like one another as half-pence are, every one fault seeming monstrous till his fellow fault came to match it.
131OrlandoI prithee, recount some of them.
132RosalindNo, I will not cast away my physic but on those that are sick. There is a man haunts the forest, that abuses our young plants with carving “Rosalind” on their barks; hangs odes upon hawthorns and elegies on brambles, all, forsooth, deifying the name of Rosalind: if I could meet that fancy-monger I would give him some good counsel, for he seems to have the quotidian of love upon him.
133OrlandoI am he that is so love-shaked: I pray you tell me your remedy.
134RosalindThere is none of my uncle’s marks upon you: he taught me how to know a man in love; in which cage of rushes I am sure you are not prisoner.
135OrlandoWhat were his marks?
136RosalindA lean cheek, which you have not, a blue eye and sunken, which you have not, an unquestionable spirit, which you have not, a beard neglected, which you have not; but I pardon you for that, for simply your having in beard is a younger brother’s revenue: then your hose should be ungartered, your bonnet unbanded, your sleeve unbuttoned, your shoe untied and every thing about you demonstrating a careless desolation; but you are no such man; you are rather point-device in your accoutrements as loving yourself than seeming the lover of any other.
137OrlandoFair youth, I would I could make thee believe I love.
138RosalindMe believe it! you may as soon make her that you love believe it; which, I warrant, she is apter to do than to confess she does: that is one of the points in the which women still give the lie to their consciences. But, in good sooth, are you he that hangs the verses on the trees, wherein Rosalind is so admired?
139OrlandoI swear to thee, youth, by the white hand of Rosalind, I am that he, that unfortunate he.
140RosalindBut are you so much in love as your rhymes speak?
141OrlandoNeither rhyme nor reason can express how much.
142RosalindLove is merely a madness, and, I tell you, deserves as well a dark house and a whip as madmen do: and the reason why they are not so punished and cured is, that the lunacy is so ordinary that the whippers are in love too. Yet I profess curing it by counsel.
143OrlandoDid you ever cure any so?
144RosalindYes, one, and in this manner. He was to imagine me his love, his mistress; and I set him every day to woo me: at which time would I, being but a moonish youth, grieve, be effeminate, changeable, longing and liking, proud, fantastical, apish, shallow, inconstant, full of tears, full of smiles, for every passion something and for no passion truly any thing, as boys and women are for the most part cattle of this colour; would now like him, now loathe him; then entertain him, then forswear him; now weep for him, then spit at him; that I drave my suitor from his mad humour of love to a living humour of madness; which was, to forswear the full stream of the world, and to live in a nook merely monastic. And thus I cured him; and this way will I take upon me to wash your liver as clean as a sound sheep’s heart, that there shall not be one spot of love in’t.
145OrlandoI would not be cured, youth.
146RosalindI would cure you, if you would but call me Rosalind and come every day to my cote and woo me.
147OrlandoNow, by the faith of my love, I will: tell me where it is.
148RosalindGo with me to it and I’ll show it you and by the way you shall tell me where in the forest you live. Will you go?
149OrlandoWith all my heart, good youth.
150RosalindNay you must call me Rosalind. Come, sister, will you go? Exeunt.